Cambridge and Districts Pipe Band (NZ) Highland Bagpipe Tunes.

Many things have changed since this page was first established. The current repertoire tunes are not shown. This lists all tunes played at some time or other during the years I was Pipe-Major, around 35-36 years. It doesn't include all the tunes I have personally played during that time. Some tunes are no longer actively played many are shared with the Te Awamutu & Districts Pipe Band. We often play with them, C&DPB supporting their parades, and they ours. A more dramatic effect was the sudden change in the C&DPB Pipe-Major due to my heart attack and subsequent triple by-pass op that occurred a couple of days prior to the 2023 ANZAC Day parade. Retiring from being P/Mjr had been an intention for sometime, hoping for a good talented piper to join and take over, but the decision was forced and one of the existing members stepped up to the task. With Cambridge a growing town especially in the years since 2022 the band got a slight increase in membership with some new pipers retiring from Auckland so the life of the band continues. Support between the two bands from the towns Cambridge and Te Awamutu, 22 minutes apart, has become an important and social aspect of piping in the Waipa region.

This tune list is being updated so will eventually appear in a different format. The development of the online ABCTools site by Michael Eskin in California has made huge advances for the 'abc' world. This is primarily a 'folk' music scene, but 'abc' accomodates all music genre. The GHB Bagpipes are now well catered for. The site not only caters for 'abc' notation, it will handle formats such as 'bww', music XML and midi. The code for the various formats is converted to music scores displayed and made playable as well printable. All for Free, or by Donation. It is possible to enter code for tune selections and create a printable book as a pdf file. Such books if being read while online, can actually play the individual tunes, with the readers able to slow/increase the tempo at which the tune is played. This is ideal for folk in the band to learn new tunes and play along while doing so. The pdf file can be distributed to members who thus all get the ability to access the internet and enjoy the benefits of this online facility. There is no logging on or membership hooks to gain the use of it. The facility is a derivative of 'folk music' activity, by a person deeply involved with session music, and a software development background. A real enthusiast who plays several folk instruments.

Our GHB world benefits, and having found ABCTools the benefits will be passed on by using such with the tunes on this page. Incidently the existence of this page is due to the kind support by Alan Miles, a long time friend, and his server he maintains for his business www.amba.co.nz . This page is hosted without cost to the C&DPB through my own URL www.kilts.co.nz based on Alan Mile's server.

Every non-copyright tune listed here is held in 'abc' code format and in gif image format - gif because it is an image file format with frugal storage requirements. Currently any tune can be provided in 'abc' code for use with ABCTools or with Epipes (Electric Pipes from www.bakedbean.co.nz) and other public open source 'abc' notation apps. All you need to do is ask for the tune(s) by email Tune Request to ex-P/Mjr Bryan Mitchell.

The following is just a selection of tunes played. We tend to browse our way through many during our sorties around Cambridge Lion's Market Day, where the challenge is to get around in 1.5 hours without having to repeat any tunes. This depends on the pipers that turn up on the day - they could be members or guests. We do tend to try and play tunes most pipers present can play but if necessary, pipers can stand down for any of the tunes. We will also play requests, even if only one piper knows the requested tune. If a highland dancer turns up and wants a Hornpipe, the Swords, Sean Truibhis a Reel, or a Strathspey for a Highland Fling, we're usually able to accommodate them as well.

The Central North Centre RNZPBA Massed Band tunes:

Scotland the Brave, Mairi's Wedding, Barren Rocks of Aden, Brown haired Maiden.
Green Hills of Tyrol, When the Battle is Over.
Scotland the Brave, Cockney Jocks.
Wi' a Hundred Piper's, Bonny Dundee, Cock O' the North (2pts)
Amazing Grace
Highland Cathedral
Skye Boat Song

C&DPB tunes over the years:

100 Pipers / A Hundred Pipers / Wi' A hundred Pipers
10th Highland Light Infantry
1514, The
42nd Highlanders Farewell to Broomielaw
51st Division
8th Argyll's Crossing the River Po
72nd Highlanders
79ths Farewell to Gibraltar
A Boys Lament for His Dragon
A Gordon For Me
A Happy We've been Together
A Man's A Man frae A' Tha'
A Quarter to Four
Advance Australia Fair
Ale is Dear, The
All The Blue Bonnets are O'er the Border
Amazing Grace
Angus McKinnon
Anchors Aweigh
Annie Laurie
Atholl and Breadalbane Gathering
Atholl Highlanders
Auld Lang Syne
Australian Ladies
Back O' Benachie
Back to Donegal
Badge of Scotland
Ballanter Rant
Ballad of Glencoe, The
Banjo Breakdown
Barnyards O' Dalgety / Turra Market
Barren Rocks of Aden (4pts)
Battle of the Somme
Battle of Waterloo
Because He was a Bonny Lad
Bells of Dunblane
Ben Guillion
Betty Jeffery
Black Bear, The
Black Bird, The
Black Velvet Band
Bloody Fields of Flanders
Blue Bells of Scotland
Bob Martin (see Pipe Major Bob Martin)
Bobby Cuthbertson
Bonny Dundee
Bonny Galloway
Bonny Lass O Fyvie'O
Braemar Gathering
Braes of Mar
Brian Boru's March to the Battle of Clontarf
Brown Girl In The Ring
Brown Haired Maiden
Burning of the Pipers' Hut, The
Caillin Mo Ruinsa
Caledonian Canal
Caller Herrin'
Camp Town Races
Campbell's Are Coming, The
Campbelltown Kiltie Ball
Captain Lachlan McPhail of Tiree
Carle's Wi The Breeks
Carlingford Loch
CAS's Quickstep
Castle Dangerous
Children, The
Click Go the Shears
Cock O' the North (4pts)
Cockney Jocks
Colin's Cattle
Comin' Tru' The Rye
Cork Hill
Corn Rigs Are Bonny
Corriechoillie's Welcome to the Northern Meeting
Crags of Tumbledown Mountain, The
Cuidich'n Righ
Cullen Bay
Cutting Bracken
Dalnahassaig
Dances With Wolves
Dark Island
Dawning of the Day / Raglan Road, The
Dei'l Among The Tailors
Diu Regnare
Dorrator Bridge
Down By the Sally Gardens
Dream Valley of Glendaruel
Drummond Castle Laundry
Drunken Piper
Drunken Sailor
Duck, The
Dundee Military Tattoo
Earl of Mansfield, The
Echo Lake
El Alamein
Erin's Shores
Fair Maid of Barra
Fairy Dance, The
Farewell Tae Kemper
Farewell to Camraw
Farewell to the Creeks
Fingal's Weeping
Fiona McLeod (Reel)
First Noel
Fishing Reel, The
Flett from Flotta
Flower of Scotland
Flowers of the Forest
Freuchie March to Lords, The
From Scotland with Love
Gael, The / Last of the Mohicans, The
Galway Girl
Gardens of Skye
Gay Gordons, The
Georgian Whaling Song
Ghillie Callum
Gin I were a Baron's Heir (Jig)
Glendaruel Highlanders
God Defend New Zealand
Going Home
Good King Wenceslas
Grandfather's Clock
Granny's Highland Home
Green Hills of Tyrol
Greensleeves
Greenwood Side
Gur Milis Mhorag
Happy Birthday to You
Hark The Angels Sing
Haughs O' Cromdale
Hawk that Swoops on High
Hector The Hero
Heyken's Serenade
Hamilton Highlanders
High Road to Gairloch
High Road to Linton
Highland Brigade at Magersfontein, The
Highland Cathedral
Highland Cathedral
Highland Cradle Song
Highland Laddie
Highland Whisky
Hills of Argyll
HRH Prince Henry, Duke of Gloucester's March
I Belong tae Glasgow
I Love A Lassie
I Love Nae a Laddie but Ane
I See Mull
Irish Washerwoman, The
Itchy Fingers
Jean Allan
Jeannie Mauchline
Jenny's Bawbee
Jessie Brown Of Lucknow
Jesus Christ Superstar
Jimmy Findlater
Jingle Bells
Jock Wilson's Ball
John Brown's Body
John D Burgess
Johnny Cope
Jolly Beggarman, The
Kate Dalrymple
Keel Row, The
Kenmure's Up an' Awa' Jig
Kenmure's Up an' Awa' March
Killaloe
Killiecrankie
Kilt is My Delight, The
King George V's Army
Lady Madelina Sinclair
Lass of Richmond Hill
Leaving Adelaide
Leaving of Liverpool, The
Let Erin Remember
Lexie McAskill
Lion Sleeps Tonight
Liverpool Hornpipe
Loch Leven Castle
Loch Lomond
Loch Ruan
Lochanside
Lord Lovat's Lament
Loudon's Bonny Woods and Braes
MacCrimmon No More
MacGregor of Rora
MacNeill's of Ugadale
MacPhedran's Strathspey
Maggie (or Nora)
Mairi's Wedding / Mhairi's Wedding
Major John MacLennan
Major Norman Orr Ewing
Maori Canoe Song
March Down The Aisle
March of Robert the Bruce
March of the Champions Supreme
Margaret's Departure
Marquis of Huntly's Highland Fling, The
Mary Darroch
Mason's Apron, The
Meeting of The Waters
Mingulay Boat Song
Minstrel Boy, The
Miss Ada Crawford
Mist Covered Mountains
Mo Ghile Mear
Molly Connell
Morning Has Broken
Mrs McLeod of Raasay
Mrs McPherson of Inveran
Mrs Scott Skinner
Muckin' O' Geordie's Byre
Mull of Kintyre
Murdo's Wedding
My Bonny Lies Over the Ocean
My Home
My Love Is But A Lassie Yet
Northern Lights Of Old Aberdeen
Now Is The Hour
Nurse Edith Cavell
Ode to Joy
Oft in the Stilly Night
Oh Come All Ye Faithfull
Oh Joy To The World
Old Adam
Old Rustic Bridge
Old Woman's Lullaby
On The Road to Passchendaele
Orange and Blue
Over the Bows to Ballindalloch
Over the Hills and Far Away
Our Ain Fireside
Paddy's Leather Breeches
Pibroch O' Donald Dhu
Pipe Major Bill (William) Boyle
Pipe Major Bob Martin
Pipe Major Donald McLean of Lewis
Pipe Major J K Cairns
Pipe Major Sam Scott
Piper Of Drummond
Piper's Cave
Piper's Waltz, The
Pokarekareana
Pony Gallop, the
Prince Charlie's Welcome to Lochaber
Rab's Wedding
Rakes of Marlowe/Mallow
Rebel Piper
Red Fox, The
Road to Dundee, The
Road to the Isles
Rock and Wee Pickle Tow / O'Sullivan's March / John Campbell of the Bank
Rocking The Baby
Rose Among The Heather / Roes Among the Heather
Rose of Allandale
Rose of Tralee
Rosin the Bow / Rosin the Beau
Rowan Tree
Royal Scots Polka
Sailing Up the Clyde
Sailor's Hornpipe
Sandy's New Chanter
Scotch On The Rocks
Scotland The Brave NZ Vn
Scotland The Brave UK Vn
Scots Wha Hae
Seige of Delhi
Shoals of Herring
Shores of Loch Katrine, The
Short Coated Mary
Sir Adam Thomson
Skye Boat Song
Smith of Chllichassie, The
St Patricks Day
Star of County Down
Steam Boat, The
Struan Robertson
Suo Gan
Susan McLeod
Sweet Maid of Glendaruel
Swing of the Kilt
Teddy O'Neil
Teribus O Terioden
Theme for the Greenlands
Those Endearing Young Charms / My Lodgings on the Cold ground
Tirador
Tom Wilson
VE Day 75 Years March
Waltzing Matilda
Waters of Kylescu
We're Nae Awa' Tae Bide Awa'
Wearing of the Green
Westering Home
Wha Saw the 42nd
When the Battle is Over
When the Piper Plays / Waly Waly
Whiskey in the Jar
Whistle O' The Love O't / Sean Truibhas
White Cockade, The
Wild Colonial Boy
Will Ye No Come Back Again
Willie's Brogues
Wings
Wooden Heart
Ye Jacobites By Name

Tunes were issued to members in Electric Pipes compatible 'abc' code, or as gif image files, from a personal library of over 4000 tunes. Usually also laser printed at band, and issued. Today these tunes can be issued in ABCTools ready 'abc' code or as Epipes ready 'abc' code. There are really only a few variations.
The Major variance is in how repeats are handled. Traditionally GHB music can use 4 bars from an earlier part of the tune as part of the repeat in a later part of the tune. e.g. last 4 bars in part B (2nd Part) of a tune might be used for the repeat of the last 4 bars of the 4th part (Part D) of a tune. Instead of repeating the bars where they are to be played, those in the earlier part are labelled as being used in a later part
e.g. [2nd time of Part B also 2nd time of Part D. It's coded in Epipes as "[2B;2D " at the beginning of the variation
In Part D the last 4 bars would start with "[1D " and end with ":|". In Epipes Part D would not have the second time variation coded, as it has already been specified by the "[2B;2D " code in Part B.
This is how GHB music books have traditionally written the music scores, and is how Epipes (Electric Pipes) handles the situation.
Unfortunately the 'abc' standard seems not allow for this and it assumes the code like "[2B;2D " refers to actual notes, so creating some strange effects. To get around this problem, the 'abc' code for repeats has to be repeated where the repeat variation is used in the tune, if that tune is transferred into ABCTools or any other 'abc' app that sticks to the 'abc' standards. If your notation is only used with Epipes there is no problem.
This illustrates variations that are not similar.
Tune Part A |:====4=bars=on=staff=1
Tune Part A =====4=bars=on=staff=2 :| Whole Part repeated.
Tune Part B |:====4=bars=on=staff=3
Tune Part B [1B==4=bars=on=staff=4 :| only 1st 4 bars are repeated
Tune Part B [2B==4=bars=on=staff=5 |] the variation instead of the bars on staff 4.
Tune Part C |:====4=bars=on=staff=6
Tune Part C =====4=bars=on=staff=7 :| Whole Part repeated.
Tune Part D |:====4=bars=on=staff=8
Tune Part D [1D==4=bars=on=staff=9 :| only 1st 4 bars are repeated
Tune Part D [2D==4=bars=on=staff=10 |] the variation instead of the bars on staff 4.
The above is how all GHB tunes with repeats need to be done for 'abc' standard compliance and also in Epipes where the repeats are not shared with other parts of the tune.
But GHB notation does this when the variations are the same.
Tune Part A |:======4=bars=on=staff=1
Tune Part A =======4=bars=on=staff=2 :| Whole Part repeated.
Tune Part B |:======4=bars=on=staff=3
Tune Part B [1B====4=bars=on=staff=4 :| only 1st 4 bars are repeated
Tune Part B [2B;2D=4=bars=on=staff=5 |] variation of 4 bars on staff 4. Applies also to Part D
Tune Part C |:======4 bars=on=staff=6
Tune Part C =======4 bars=on=staff=7 :| Whole Part repeated.
Tune Part D |:======4 bars=on=staff=8
Tune Part D [1D====4 bars=on=staff=9 :| only 1st 4 bars are repeated
The variation for part D is that for Part B and is already defined by [2B,D etc on staff 5.
The above is how Epipes Can do repeats where the repeat bars are used in previous/later parts.

Statements commencing with "%%Epipes" are ignored by standard 'abc' notation apps there are two other statements that will cause problems.

1. The U: command statement. Epipes inserts it as U:z="@ " every time a file is saved. 'z' is a rest in standard 'abc' notation. In Epipes it is used to insert spaces between notes.
For use in standard 'abc' apps such as ABCTools, simply remove the statement altogether. because our GHB bagpipes do NOT traditionally use rests as they are a legato instrument.

2. The Q: command statement. In Epipes Q:nn is used, where nn specifies the actual beats per minute. The beats relate to the Time Signature: 6/8, 9/8, 12/8 have One beat for every 3 Quavers. So a 6/8 has 2 beats per bar, 9/8 has 3, a 12/8 has 4.
Time Signatures 2/2, 2/4, C| have only 2 beats per bar, 3/4 has 3, 4/4 has 4. 5/4 has 5, 6/4 has 6 etc. To use the Q: statement in 'abc' apps it is essential to indicate what the beat is associated with otherwise the timing is completely off. Therefore Q:3/8=nn has to be used with the Compound Time tunes: 6/8, 9/8. 12/8 etc. And Q:1/4=nn must be used for the Common Time tunes: 2/2, 2/4, 3/4, 4/4, 5/4, 6/4 etc. If bringing 'abc' code with Q:1/4=nn, or Q:3/8=nn (nn of course being the numeric value for bpm.) Epipes accepts it without problem BUT if you save the file in Epipes, the '1/4=' or '3/8='is NOT saved. Just Q:nn is.

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